Located in a residential district of Kaliningrad, this 73-square-metre pizzeria extends an established brand built around naturally fermented dough. Just as the menu reinterprets a familiar product through a contemporary lens, the interior follows the same approach—grounding itself in the ordinary while subtly transforming it.
The space occupies a simple rectangular shell constructed from sandwich panels on a steel frame. Its structural columns were originally painted a pale green—a colour that unexpectedly aligned with the project's palette so well that they were left untouched and incorporated into the design.
The six-metre ceiling height presented an opportunity to realise an idea I had wanted to explore for years: inserting an independent architectural structure within the existing volume. That idea evolved into an open summer kitchen enclosed by a greenhouse. Polycarbonate was initially proposed for the structure, but as the project developed it gave way to fabric instead. The finished installation recalls the silhouette of a traditional Italian pergola while borrowing principles of assembly from Japanese construction—a reflection of the increasingly fluid exchange between cultures and aesthetics.
Rather than relying on familiar Italian clichés, however, the project deliberately avoids references to the Renaissance or the romantic imagery of the Amalfi Coast. Instead, it evokes the atmosphere of a hidden urban courtyard—as if a millennial had inherited an old house with a small garden and gradually assembled a business there using whatever materials happened to be available.
Ceramic block, brick and solid timber are combined with bespoke plaster elements produced from original sketches and embedded into the masonry as though they were standard building components. The composition feels almost improvised, yet remains carefully balanced and surprisingly cohesive.
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