Bar Monte Newstead most predominantly develops the friendly post-war Italian cafe aesthetic with the refinement and cleanliness of Italian Rationalism. Our colour palette stayed quite loyal to those of the typical post-war Italian cafe: a broad spectrum of deep browns, burgundies and ochres were accompanied by baby blue accented tiles, structural beams and dining chairs.
We sought to find a deep level of comfort and intimacy within a highly rational and geometric framework, a space that feels at home, detailed and considered, but also striking in its monumentality and its rawness. These types of spaces are easy for the mind to resolve, to make sense of and hence to soften into.
Combining both styles (above) from early to mid 1900’s was a balance of both intimacy and refinement in material selection. Spotted gum, its deep soft warmth, against high gloss glazed ceramic tiles in three spectacularly muted colours - all modestly strewn over a grand structure. Custom-made spotted gum banquettes adorned with coloured geometric patterns snake the ground floor, finding cosy spots and cheeky corners.
Restaurant venues must strike a productive balance between natural and artificial light - as service drifts into night a space transitions to an entirely new scene. As such, we can count on natural light for some scenes, but must produce a well orchestrated lighting design to compliment the space dusk and beyond.
With all interiors, we aim to plunge patrons deep into an immersive atmosphere, to inspire wonder and awe. However, with this must come intimacy and safety, a familiarity of home, somewhere you can sink into, somewhere you feel you’d longed for. These themes of course lean on spatial and material qualities, but primarily are guided by light - Bar Monte, hence, is lead by lighting principles to achieve said immersion.
Specified pendant lights, Big Glow — by Studio Truly Truly (for Rakumba), are one of the most innovative products we have specified. The fixture synthesises the sharp luminosity of the Australian sun with the diffused warmth characteristic of European interiors, not merely decorative but emotionally resonant.
Big Glow advances the typology of the pendant light through its use of a bio-composite wool shell — a material pressed and thermo-formed into a softly translucent diffuser. Instead of relying on petrochemical polymers or rigid metals, the fixture embraces a renewable, regionally sourced fibre that offers visual warmth, acoustic suppression and a distinct material tactility rarely seen in architectural lighting. The wool is grown, processed and assembled entirely in Victoria, Australia — giving the piece a fully traceable, local production chain.
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