Located in Xi’an, TOOMAII Space Aesthetics Design Studio is a physical expression of our design philosophy—one that speaks through the warmth of wood, grounded in an old-money sensibility and a naturalist aesthetic. We envision the studio as a place where people want to linger, slow down, and become aware of the passage of time.
Wood sets the tone throughout the space. Pale oak extends seamlessly from the ceiling onto the walls, creating an enveloping “wooden box” that dissolves the conventional boundary between wall and ceiling, transforming the studio into a warm and intimate container. The natural grain of the timber has been deliberately preserved. Knots and variations in tone are not treated as imperfections, but as traces of time—an approach that reflects our interpretation of old-money aesthetics: rather than following trends, we choose materials and craftsmanship that can withstand the test of time.
The design deliberately avoids unnecessary decoration, allowing materials themselves to become the visual language. The rugged texture of travertine enters into dialogue with the warmth of wood, while hand-crafted textiles and refined matte metals create a delicate balance. This strategy of juxtaposing warm and cool, rough and refined, brings tactile depth and emotional warmth to the space.
The palette is restrained within a gradual spectrum of earthy tones—from warm beige and light camel to caramel brown, deep brown, and charcoal black. Like the natural layers of soil, the colors transition subtly from light to dark. Rather than relying on contrasting blocks of color, the space explores variations in tone and luminosity within the same chromatic family, creating an atmosphere that feels quiet, refined, and timeless. This restraint is also a gesture of trust in the sophistication of the people who inhabit the space—we believe true elegance never needs to be loud.
Light takes center stage. Natural daylight filters gently through sheer curtains, casting soft, shifting shadows across the timber walls. Artificial light remains largely concealed, integrated into the junctions between walls and ceilings, the interior of the fireplace, and the floor along the corridors. Through this approach of “seeing the light, but not the source,” illumination becomes something felt rather than seen, bringing warmth and emotion to the space.
Within the studio, we practice a philosophy of “slow” design. Slow does not mean delay; it means respecting materials, committing to craftsmanship, and remaining attentive to the passage of time. Every piece of timber is carefully selected, every junction thoughtfully refined, and every beam of light precisely considered. This deliberate slowness ultimately translates into a sense of quietness, depth, and material richness.
Our design language—old-money elegance, Aalto-inspired modernism, and naturalism—finds its place within this studio. Rather than pursuing stylistic labels, we seek a balance between authentic materiality and a sense of spiritual dwelling. Because good design has never been about being seen. It is about being felt, inhabited, and lived.
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